After getting approval from my supervisor and head of department, I present to you my honors thesis submitted in partial fulfillment for the Degree of Bachelor of Arts with Honors in Japanese Studies at the National University of Singapore.
I decided upon the topic of moe for my research as it has been a very hot-button issue in anime fandom for quite some time. I hope my paper will give you a clearer understanding of the concept, why moe might be far more useful and essential to the otaku than you might have realized and why moe isn’t insidious and does not spell the death of anime. Also discussed are gender issues and virtual child pornography.
By adopting a cultural studies approach, this paper seeks to redefine and recontexualize moe. This paper argues that moe is used as a coping mechanism by the otaku to reclaim agency and remain connected in a more individualized society as opposed to a tool that legitimizes the subjugation of women in society and homogenizes anime. This is done through the possession of fictional characters via the creation of dôjinshi, attending events and going on pilgrimages to the real-life settings of their favorite manga and anime. In addition, because moe is an element of the kawaii art style, it is separate and distinct from the other elements of an anime, allowing creators to retain creative freedom while simultaneously catering to the otaku and appealing to a wider demographic. Instead of being exploited by producers, the kawaii art style facilitates the production of character merchandise that the otaku purchase and use to aid them in reclaiming agency and connecting with fictional characters and other otaku.
Continue to the full text after the jump. If you enjoyed this article, please feel free to link to this post! (^o^)